Friday, December 31, 2010

Beckham ponders return to England

? David Beckham considers loan move to Tottenham
? 'He could have a big impact,' says Harry Redknapp

Although David Beckham has previously said that he could not envisage playing for any English club other than Manchester United, sources close to him tonight confirmed he would consider Tottenham Hotspur's offer. Beckham believes a loan move to the Premier League until the resumption of the Major League Soccer season with Los Angeles Galaxy in March will not only enable him to maintain his fitness but help him fulfil his ambition of adding to his 115 England caps.

He hopes to hold talks with Galaxy next week in an effort to secure permission for a move, though the club may be reluctant after he suffered an injury while on loan at Milan last year. Harry Redknapp said Tottenham will also contact Galaxy "to find out the situation", adding that, "if he's available, we're interested".

Ars�ne Wenger recently praised the influence that Beckham had on his players when he trained with Arsenal during his rehabilitation from injury in 2008 and the Spurs manager said he could make a similar contribution to Tottenham and still be a force on the pitch.

"I think he'd be a good influence at the football club, he's the type of lad who'd give the place a lift," said Redknapp. "He's a proper professional. I read Theo Walcott the other day saying how he spent time around the training ground practising with him ? you need people like that around you.

"He's been a fantastic player and he's someone who the players would look up to and respect, and I think he could still do a job, for sure. If he's over his injuries and is as fit as he thinks he is, then he could still play at the top level. It's not as if he's suddenly lost blistering pace ? he had no pace when he was 17, but he has a great brain and is a great deliverer and striker of the ball."

Redknapp denied that a move for Beckham would be a marketing gimmick, saying that, with David Bentley likely to leave Tottenham on loan in January, Beckham could enjoy a significant amount of playing time. "He'd only be coming for a couple of months so I wouldn't have thought he'd sell a load of shirts. Bentley wants to go on loan in the [January transfer] window to play somewhere and then we've only got Aaron Lennon who can play wide right, so [Beckham] would giveme another option. He can still do a job, otherwise I wouldn't bother. I'm not in a position where I need to go get somebody to sell tickets. The ground's full every week. If he came, he could make a big impact."

Redknapp said the Tottenham chairman, Daniel Levy, was firmly behind him in strengthening the squad for a tilt at a Champions League place. "The owner would like me in all honesty to go and spend his money and buy somebody who could make the difference," he said.

Redknapp, whose Spurs team host Fulham tomorrow, suggested the fact the 35-year-old Beckham wanted a loan showed his exceptional competitive instinct. "I've heard stories about how much he earns and it's mind-blowing," Redknapp said. "He might be a billionaire, he could probably buy any football club in this country if he wanted to ? and yet when he's got three months where he could go back to LA and enjoy the sunshine and the easy life, he wants to come here in the freezing cold and play football. That tells you everything about him. He's still got the passion for the game. He's not doing it for the money, that's for sure."

Redknapp said that rather than resent the arrival of Beckham ? who was born a few miles away from White Hart Lane and attended Tottenham's centre of excellence as a child ? his players, especially their right-midfielder Lennon, would welcome the opportunity to work with him. The manager went on to suggest that the presence of a player who won six Premier League titles and the Champions League with Manchester United and one Spanish league title with Real Madrid could strengthen the club's pursuit of honours. "I'm sure Aaron would love to work with him on the crossing and his final ball."


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From Smurfing comebacks to skating rappers, 10 to swerve in 2011

The Populist: the column that's not looking forward to the new year

The Smurfs

A full-on marketing onslaught of endless blue animated 3D characters? Come back Avatar!

Dancing On Ice

It's cold out. We're broke. So what's on telly? "Comedy" Dave, Henry from Neighbours and Vanilla Ice titting about on skates. Thanks a bunch.

Battle: Los Angeles

Aliens wreak disaster on LA yet again. Don't they ever learn?

The Daily Show

Now delivered in the "weekly-only" Global Edition on More4. Disappointed. So disappointed.

Gnomeo And Juliet

Shakespeare with garden gnomes, corny jokes and Elton John ? the worst of British.

Straw Dogs

Another British (ish) horror defiled. The Wicker Man was sacrilege enough!

REM's new album

Can any good possibly come of songs called Me, Marlon Brando, Marlon Brando And I, or Alligator Aviator Autopilot Antimatter (featuring Peaches)?

Just Go With It

Adam Sandler plus Jennifer Aniston could open up a black hole in the romcom universe.

Transformers: Dark SIDE Of The Moon

The robotic Team America look for more landmarks to trash.

Scream 4

Scream 4 them to stop.

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Hornby customer service was first class

I had an unexpected Christmas surprise after I sent off my broken model locomotive to Hornby for repairs

About six years ago, I bought an OO gauge model steam locomotive from Hornby. A few weeks ago, for no obvious reason, it stopped running.

I sent it to Hornby in Margate, and received it back this week, repaired and functioning. I fully expected to pay for the repair but there was no charge. Some companies do still give excellent service. WP, Crawley

Your letter will bring a warm glow to grown-up schoolboys across the country. It is reassuring to know that there are a few companies out there who value their customers and are prepared to go the extra mile. Anyone who bought a Hornby railway set this Christmas will be delighted to read your letter. So well done to Hornby.

We welcome letters but cannot answer individually. Email us at consumer.champions@guardian.co.uk or write to Bachelor & Brignall, Money, The Guardian, 90 York Way, London N1 9GU. Please include a daytime phone number


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Rail commuters face more �5,000 season tickets on popular routes

'Commuters feel like they are being pickpocketed by the government,' says Campaign for Better Transport

Rail commuters are facing more �5,000 season tickets on popular routes into London from next week as higher-than-expected fare increases are imposed.

Campaigners said the emergence of the �5,000 annual fare meant some tickets are now costing a fifth of the average UK wage. Commuters on less expensive routes are also in for a surprise thanks to the restoration of a loophole that allows some season tickets to rise higher than the official fare cap, with some going up by almost 8%.

The Campaign for Better Transport lobbying group said millions of rail users were not getting value for money. "Commuters feel like they are being pickpocketed by the government, expected to pay more year on year for the same poor quality service," said Stephen Joseph, CBT's chief executive. "Even with the promised extra investment, many passengers will see no actual improvement to their daily commute. Politicians need to start living in the real world and understand that people simply cannot afford to pay a fifth of their income just to do a day's work."

More season tickets will breach the �5,000 level next week, with an annual fare on Southeastern's high-speed rail service between Tonbridge and London costing �5,192 (up 12.7%), while an identical increase in the fare between Hastings and Rye and London will be introduced to pay for the investment in the ultra-fast journeys. A season ticket between Bournemouth and London, on the South West Trains franchise, is increasing by 6.8% to �5,424, while a 12-month fare from Peterborough to London will rise by 6.4% from �5,000 to �5,320.

The rail user watchdog, Passenger Focus, warned that many passengers already braced for inflation-busting hikes from Sunday, when fare increases kick in, are still in for a surprise when they see prices on key routes.

The restoration of a clause in the government's ticketing policy means that regulated fares, such as season tickets, will have higher than expected increases on some lines ? rail firms can pick and choose which lines to increase regulated fares on, as long as they average out at 5.8% across the franchise. As a result an annual ticket between Hove and London will rise by 7.8% to �3,832, while a season ticket between Portsmouth and London will increase by 7.2% to �4,224.

Anthony Smith, of Passenger Focus, said the figures are much higher than the average fare increase advertised by the Association of Train Operating Companies, which claims that the average rise across the entire network will be 6.2%, including unregulated tickets. "Many passengers returning to work in the New Year will be baffled about why they are paying much higher figures than the 'averages' published by the train companies. For many passengers, this flexibility won't appear fair," he said.

Smith urged ministers to restrict the so-called "flex" system that allows train operators to beat the fare cap. "We want the flexibility to be restricted. It should be kept to plus 1% or plus 2% so we can avoid these increases. People will be surprised by how much fares are going up on their route. It is not transparent. The government is delegating a whole raft of fares regulation to the train companies."

The Labour government removed the "flex" system last year but it has been reinstated by the coalition government. Maria Eagle, Shadow Transport secretary, said: "The Tory-led government has ripped up Labour's fair deal for passengers. Train companies have been given back the freedom to fiddle the fares by averaging out the cap on prices across their tickets."

A Department for Transport spokesman said: "The scale of the deficit means the government has had to take tough decisions on future rail fares. Revenue from fares [helps] deliver much-needed improvements on the rail network, improving conditions for passengers and helping strengthen economic growth."


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Radio head: Pick of the year

From a warmhearted account of the miners' strike to Kathy Burke's Desert Island Discs, Elisabeth Mahoney selects her favourites of 2010

This has been a good year for radio. We've had record audience figures, testimony to radio's stubborn connection with listeners. As other media audiences fragment, radio listeners seem as dedicated to their favourite stations ? we each have 2.4 of those, according to recent research ? as ever.

It's partly that radio handily knits itself into whatever else you're doing, but it's also the stonking programmes. My favourites this year include Ballad of the Miners' Strike (March, Radio 2), a hugely moving and important testimony woven with folk music, archive clips and much warmth.

I also relished Desert Island Discs generally, but the Kathy Burke edition (August) in particular: this was fine radio, revelatory and life-affirming, and nothing more complicated than a chat over some music. Features is my favourite strand of radio, and there have been some crackers this year, most notably Heel, Toe, Step Together (December, Radio 4), a tenderly composed programme about an unlikely dancing friendship.

There were also some water cooler moments on radio: Chris Moyles ranting about not being paid; the death of Norman Painting, who played Phil Archer, and the delicate, moving way his on-air death was handled; James Naughtie's c-word slip when talking about Jeremy Hunt. These three couldn't be more different, but each programme has a fiercely loyal audience with a huge sense of connection to it.

There are more worrying issues. One wonders quite what will be left of the tremendous World Service once the budget cuts kick in, and radio drama has had a pruning with the loss of the Friday Play. The nationwide roll-out of commercial stations such as Smooth and Kiss means more listener choice, but we need to protect local radio too: it is, after all, what we turned to when the snow disrupted everyday life. But there remains much to cheer about: 2010 after all was the year when 6Music was threatened, then saved, and found a huge new audience.


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Sweet dreams: Lennox receives OBE

No knighthoods for tabloid-backed stars, but Sheila Hancock, David Suchet and composer Howard Goodall make the list

Despite the best efforts of the tabloid press, there were no knighthoods for either Bruce Forsyth or Simon Cowell, but veteran actors Sheila Hancock and David Suchet were both awarded CBEs, as was the composer and broadcaster Howard Goodall. Representatives of the arts and media make up 7% of the honours list.

Harriet Walter, best known as a classical actor with the Royal Shakespeare Company ? most recently as Cleopatra opposite Patrick Stewart's Antony and as Friedrich Schiller's Mary Stuart in the West End and on Broadway ? is made a dame, 11 years after becoming a CBE. Reacting to her award, Walter said: "I have reservations about some parts of the honours system. I fear it's not very fair and I think there are lots of people not recognised who should be." But she added she was able to "square the circle" by acknowledging the award would allow her to speak up in defence of the theatre.

Few actors can have had a more varied career over more than 50 years than Hancock, ranging from The Winter's Tale and Titus Andronicus for the RSC to the musicals Sweeney Todd, Cabaret and Sister Act in the West End, as well as roles in Carry on Cleo and EastEnders. She also appeared as a panellist on Radio 4's Just a Minute. She was awarded an OBE in 1974 for her services to drama.

Suchet, too, is a veteran of the classical stage as well as numerous film and television parts. He is best known for playing Hercule Poirot for more than 20 years in 65 adaptations of the Agatha Christie-inspired thrillers, the last of which is to be broadcast next year.

Goodall's award comes for his work over five years to promote music education. The Bafta, Brit and Emmy award-winning composer has written classical music such as Eternal Light: a Requiem, as well as well-known television theme tunes including QI, The Vicar of Dibley and Blackadder.

Recipients of CBEs also include John Lloyd, the producer behind Blackadder, QI and Not the Nine O'Clock News, and Mark Damazer, the former controller of BBC Radio 4, who became head of St Peter's College, Oxford in October.

Among the OBEs are guitarist and songwriter Richard Thompson, once of Fairport Convention but also a writer of lyrics for Robert Plant and Elvis Costello; veteran lyricist Herbert Kretzmer, whose career encompasses newspaper, television and theatre criticism, songs for That Was the Week That Was, and the lyrics for the long-running musical version of Les Mis�rables; and Manchester-born actor Burt Kwouk, the long-suffering manservant Cato in the Pink Panther movies, who is honoured for helping to pave the way for other actors from the Chinese community.

The former Eurythmics singer Annie Lennox receives an OBE, not for her musicianship, but for her services to Oxfam and Aids charities in Africa. She said: "As somewhat of a renegade, it either means I've done something terribly right ? or they've done something terribly wrong.

"I'm getting my fake leopard pillbox hat dusted and ready. I was never much of one to win prizes ? and certainly never placed too much value on their acquisition. Therefore, "I take this as more of an appreciation for the gentle turning of the years for someone who's enormously grateful for being able to breathe more or less freely in a totally insane world."


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William Blacker in Romania

Transylvania's fairytale villages are as pretty as a Christmas card ? the perfect setting for a snowy sleigh ride with Santa

Lying in valleys between deep oak and beech forests, and dominated by vast castle-like churches which tower above the terracotta roofs of the houses that cluster around their walls, the Saxon villages of Transylvania have a fairytale quality about them. From the church bastions, looking south over the forest, on clear days you can see the ragged, snow-covered ridge of the Carpathian mountains. This time last year, in one of these Saxon villages, not far from the medieval town of Sighisoara, a small Gypsy boy was waiting for me at Christmas.

The Saxon lands stretch over a large part of Central Romania, and are so called because of the northern European immigrants who settled here in the 12th century. For over 800 years they stayed, but then, after the collapse of the Ceausescu regime when the borders opened, the descendants of the original settlers packed their bags en masse and departed for Germany. Within a year, villages once populated by several hundred Saxons were largely abandoned, and before long the Gypsies had taken their place. Now, instead of Germanic orderliness there is a degree of mayhem, and with it splendid rabbles of happy Gypsy children rushing about and playing in the village squares. One of these children is my five-year-old son, Constantin.

When I arrived there on 23 December last year, Constantin ran up to me, threw his arms around my neck and told me, breathlessly, of Father Christmas's imminent arrival. I knew that in Romania it was usually Saint Nicholas who, on the night before 6 December, put a few simple presents and sweets into shoes the children had left out on the verandas of their houses (or alternatively a stick intended for a beating if the child had been naughty during the year).

Indeed, in the area of the Maramures, in the north of Romania, where I had lived for four years in the late 1990s, Father Christmas did not figure in Christmas celebrations at all.

But here, further south, Father Christmas had to some extent existed in the communist era (oddly, perhaps, for such a western commercial idea), and now he was beginning to take over. I rather preferred the simple and ancient St Nicholas's day traditions of sweets in shoes, but seeing Constantin's eyes light up with excitement it was clear I had little choice but to go along with the modern imposter, and so I decided at least to make the occasion as memorable as possible.

I had an old sleigh in a barn, a real, wooden sleigh of the one-horse open variety. It had been in good working order a year or two before when I slid in it across the glittering snow in the moonlight. But having brushed off the hay, dust and chicken feathers, I found that Constantin's Gypsy uncles had since stripped it of all of its useful moving parts to use to repair their carts. These would have to be rapidly replaced.

There was much hammering and chiselling in the barn, while in the house I found some old bells I had purchased over the years at animal markets from itinerant pedlars, and tied them to the harness. I then secretly cobbled together something that resembled a Father Christmas outfit. One of the villagers pulled it on, along with some sheep's wool for a beard.

By 8pm on Christmas Eve all was ready and the sleigh, pulled by a beautiful chestnut mare, set off into the night, lurching across the snow- and ice-covered tracks to do the rounds of the village children.

I remained with Constantin, watching the wide, white lamplit village square from an upstairs window. All was silent. A few snow flakes fell. "Perhaps Father Christmas has fallen into a snowdrift in the forest," said Constantin sadly.

But then in the distance we could hear the jingling of bells. Constantin looked at me to see if I had heard them too. Could it really be true? Then a minute later, to our inexpressible delight, the sleigh came around the corner, rumbling over the ice and snow into the square.

Constantin's mouth hung open in wonder, but then to our mutual horror the sleigh headed off towards another part of the village. Constantin could not bear it and shouted out at the top of his voice: "Mos Craciun! Father Christmas! We're over here!"

Ever so slowly the sleigh began to change direction, going around the village fountain, then over the wooden bridge, before sliding to a halt underneath our window.

Father Christmas clambered out of the sleigh and looked up.

"So were you a good boy this year, Constantin?" he asked.

"Oh yes," Constantin replied, trying to sound as convincing as possible.

"And have you learnt your Christmas poem?" Father Christmas boomed. The required poem was stammered, presents were given and Constantin was left standing and staring in amazement.

Father Christmas then tramped outside, and from the window we saw him in his sleigh, rushing off at a brisk trot to deliver presents in other parts of the village, bells ringing as he went.

Looking at Constantin's deliriously happy face, I began to realise that Father Christmas was not such a bad fellow after all. Now that I have been converted, the sleigh has already been brushed down and plans are being hatched for him to visit many more families this year.

? Wizz Air (wizzair.com) flies from Luton to Cluj-Napoca from �54 return, including tax. The Mihai Eminescu Trust (020-8962 8621, mihaieminescutrust.org) supports the conservation and regeneration of Transylvanian villages. It organises a Saxon Heritage Trail with stays in village guesthouses costing from �15-�25pp a night. In Sighisoara, the historic Hotel Sighisoara (+40 265 771000, sighisoarahotels.ro) has doubles from ?50 a night

William Blacker is author of Along The Enchanted Way, published by John Murray (johnmurray.co.uk) at �8.99


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Mike Selvey: The light is dying for Ponting

Players like to choose their time to go but for several Ashes combatants the selectors may be one step ahead

For a cricketer there is seldom a perfect time to go. No matter the evidence of statistic or eye, there is always another big innings round the corner, another bowling performance there. Part of what sustains a top player is the belief in immortality. They go into a state of denial. But this series has stripped bare that notion. By the time Australia next play a Test series, in August, the order will have changed, both in their team and England's.

? In video: the captains on England retaining the Ashes
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Time was, though, when the best players knew when it was right to hang up the boots. Cricket was a game for playing, not one on which to get rich. It was a self-indulgent activity that one day had to be traded in for the need to earn a living. The bigger wages were elsewhere. Those days are long gone. Cricketers are extremely well rewarded and few are going to earn as much money outside the game as they ever did playing.

Eight years ago the Ashes tour was run in conjunction with what effectively was a Steve Waugh valedictory series, culminating in his century at the Sydney Cricket Ground. Last time it was Shane Warne and Glenn McGrath saying their goodbyes to the faithful as they carved up England. But these farewells are rare. A glorious exit on your own terms may be one thing but there is no ignominy felt these days when the selectors tap a player on a shoulder and tell him the game is up. It is part of the deal now.

Australia will have some months to ponder on the dilemma caused by Ricky Ponting's slide. There is a decision to be made, not just about the captaincy but regarding his contribution as a player. Clearly he is near the end of the road, the years of batting at No3, the pivotal, most complex position in the order, taking their mental toll. Ponting could take the fractured finger and the long spell without Tests as a sign to make the break from the longer form of the game. But he believes that he can contribute to what he calls "the betterment of Australian cricket" by batting down the order and becoming a mentor. Perhaps his personal success or otherwise in the World Cup might dictate his future. But such is his earning power and his singular, almost obsessive devotion to the game that surely he will find it immensely difficult to sever the ties.

Should he continue, however, it will mean the end elsewhere, for the feeling is said to be that, as Australia look to rebuild their side towards regaining power, there will be room for only one of Ponting and Mike Hussey.

Sheer cussedness gave Hussey his place in the team for this series. Out of touch and all but out of the door before the first Test, Hussey, playing for Western Australia in the final Shield match before the Test side was chosen, followed an excruciatingly drawn-out nought with a caution-to-the-wind century that alone kept him in the team. For three subsequent Tests he held the batting together, only to falter at the MCG. But Hussey, too, would be reluctant to give up of his own accord. In the end that is what selectors are for.

Paul Collingwood may just be coming to the end of the line, too. The statistics are starting to tell an inescapable story of a Test career in decline. Since the middle of last summer, after he was rested for the Bangladesh series, he has scored only 189 runs in 11 innings, including a top score of 82 in the first of that sequence, and at an average of 17.2, against a career average of 40. In this series he totals 72 runs in five innings and there comes a point when that is no longer acceptable from a batsman in the top five whatever his credential, potential or value elsewhere.

There is slight mitigation. Between making four in the first innings in Brisbane and 42 in the first at Adelaide, he sat through 180 overs with all but his pads on while others filled their boots and was then required to come in and force the scoring. In Perth he was not alone in finding the pace, bounce and particularly the swing too much. It would be perfectly in keeping for him to make a hundred in Sydney, for he must play there. And if his batting currently looks even more of a struggle than it generally does, then his electric catching is an essential part of the fielding dynamic. The catch he took in Perth to dismiss Ponting should not be underestimated for the psychological damage it did.

Clearly, though, there is another decision to be made. Collingwood, 34, remains an essential part of England's World Cup plans and is the captain ? a successful one, too ? of the Twenty20 side. There is much cricket for him yet to play for England. But the end of this series might be a fine time for a line to be drawn under his Test career. Whether he comes to that decision himself or is encouraged to do so, the time has probably come. Things have to move on.


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Thursday, December 30, 2010

Ivory Coast 'on brink of genocide'

UN ambassador says houses are marked by tribal allegiance and calls for international intervention

Ivory Coast is on the "brink of genocide" and the world must take urgent action, the country's new ambassador to the UN has warned. Youssoufou Bamba also claimed that some houses were being marked according to the tribe of the occupier .

The plea came as the UN accused the security forces of the incumbent president Laurent Gbagbo of blocking access to mass graves, saying investigators believe as many as 80 bodies may be in one building.

World leaders have stepped up pressure on Gbagbo to quit in favour of Alassane Ouattara, who is widely recognised as having won last month's elections.

Speaking in New York, Bamba, who was appointed by Ouattara, described him as the rightful ruler of Ivory Coast. "He has been elected in a free, fair, transparent, democratic election," he said.

"The result has been proclaimed by the independent electoral commission, certified by the UN. To me the debate is over, now you are talking about how and when Mr Gbagbo will leave office."

Bamba alleged there had been a "massive violation of human rights", with more than 170 people killed during street demonstrations. "One of the messages I try to get across is to tell we are on the brink of genocide. Something should be done."

He implied that Ouattara strongholds which are largely in the north, could be targeted by Gbagbo backers, saying: "If houses are being marked according to your tribe, what is going to be next?"

Bamba said he planned to meet every member of the UN security council. "I intend to meet all the 15 members to explain to them the gravity of the situation ? We expect theUN to be credible and to prevent violation and to prevent the election to be stolen from the people."

The UN has said its personnel were prevented by security forces accompanied by masked men with rocket launchers preventedfrom reaching the scene of a mass grave identified by witnesses in a pro-Gbagbo residential neighbourhood on the outskirts of Abidjan.

Simon Munzu, the head of the UN human rights division, said investigators got as far as the front door of a building where between 60 and 80 bodies are believed to be before being forced to leave.

A second mass burial site is believed to be located near Gagnoa in the interior of the country, the UN said.

"We would be the very first to say that these stories are false if they turn out to be false," Munzu said. "Our findings on the matter would have a greater chance of being believed than these repeated denials."

Gbagbo's government has repeatedly denied that mass graves exist.

The 28 November election was meant to reunite Ivory Coast, the world's top cocoa producer, after a 2002-3 civil war. But a dispute over the results has provoked lethal street clashes and threatens to restart open conflict.

The UN general assembly last week recognised Ouattara as Ivory Coast's legitimate president by unanimously deciding that the list of diplomats he submitted be recognised as the sole official representatives of Ivory Coast at the UN.

The UN's peacekeeping chief, Alain LeroyLe Roy, said ithis troops hasd become a target of violence in Ivory Coast after a campaign of "disturbing lies" on state television suggested the UN was arming and transporting anti-Gbagbo rebels.

The US Sstate Ddepartment spokesman, Mark Tonercorrect, said America has begunwas planning for the possible evacuation of its embassy in Ivory Coast amid concerns of a full-blown conflict.

Ouattara and his prime minister, Guillaume Sorocorrect, remain holed up in a hotel in the commercial capital, Abidjan, protected by UN forces. Supporters of Gbagbo, the Young Patriots, have threatened to storm the hotel.

The group's leader, Charles Ble� Goude�, who is also Mr Gbagbo's youth minister, warned the west African regional bloc, Ecowas, not to send troops. "They should prepare themselves very well because we are thinking about totally liberating our country, and soon I will launch the final assault," he said.

West African leaders have backed off their threat of military action for now. On Tuesday the presidents of Sierra Leone, Benin and Cape Verde delivered an ultimatum on behalf of the regional bloc Ecowas, hoping to escort Gbagbo into exile. He refused to budge.

An Ouattara adviser, speaking on condition of anonymity, said Gbagbo demanded a vote recount during the negotiations with the visiting delegation and wants amnesty if he leaves office.

The Nigerian president, Goodluck Jonathan, said the leaders would return to Ivory Coast on Monday. "Whenever there is a dispute, whenever there is disagreement, it is dialogue that will solve issues," Jonathan said in the Nigerian capital, Abuja, where Ecowas is based. "The dialogue is on. They are encouraging us to go back."NEWOuattara and his prime minister, Guillaume Soro, remain in a hotel in the commercial capital, Abidjan, protected by UN forces. Supporters of Gbagbo, the Young Patriots, have threatened to storm the hotel.

The group's leader, Charles Bl� Goud�, who is also Gbagbo's youth minister, warned the west African regional bloc, Ecowas, not to send troops. "They should prepare themselves very well because we are thinking about totally liberating our country, and soon I will launch the final assault," he said.

Ecowas has threatened to use force to oust Gbagbo if he does not leave quietly, and rebels still running the north after the civil war have said they would join any intervention.

"We will fight alongside the Ecowas force to remove Laurent Gbagbo from power," its spokesman Affousy Bamba said. "We are awaiting Ecowas's decision."

A delegation of three West African heads of state will return to Ivory Coast next week in an effort to persuade Gbagbo, president since 2000, to go into exile.

A military official told journalists in Nigeria's capital Abuja that Ecowas defence chiefs were meeting in Nigeria's defence headquarters to map out strategies in the event Gbagbo refused to stand down.

The rising tensions have caused some 16,000 Ivorians to flee to Liberia, and the UN is preparing for the number to nearly double.

Among the refugees is Gluee Teah, who walked through the jungle for a day and crossed a river burdened by her two young daughters and an unborn child.

"I am nine months pregnant," she said. "There is not much I can do. Who will help me take care of my children?"


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One in six people in the UK today will live to 100, study says

Department for Work and Pensions predicts number of centenarians will rise steeply in the next 70 years

More than 10 million people in the UK, who are currently alive, are expected to live to more than 100, according to government figures.

The Department for Work and Pensions (DWP) predicts the number of centenarians will rise steeply in the next 70 years, with 17% of the UK's current 62 million residents reaching that landmark age.

Three million of these are currently under 16, while 5.5 million are between 16 and 50 and 1.3 million are between 51 and 65. A further 875,000 of the projected centenarians are already over 65.

The DWP projects that by 2080, there could be 626,900 people in the UK aged 100 or more; 21,000 of those would be at least 110.

This is more than 53 times greater than the current number of centenarians (11,800). At present there are fewer than 100 people who are older than 110.

The number of people aged over 100 is expected to nearly double between 2030 and 2035, when it is projected there will be 97,300 centenarians in the UK. It is then expected to more than double again during the next decade, at 202,100 by 2045.

It is estimated that by 2066 there will be at least 507,000 people in the UK aged 100 or over, including 7,700 aged 110 or more.

But increasing longevity is likely to put considerable pressure on pensions systems, as people face spending a growing proportion of their life in retirement.

The pensions minister, Steve Webb, said: "These staggering figures really bring home how important it is to plan ahead for our later lives.

"Many millions of us will be spending around a third of our lives or more in retirement in the future.

"That's why we are reforming the pension system to make it sustainable for the long term, making sure people can look forward to a decent state pension when they retire, and helping millions save into a workplace pension, many for the first time."


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Mali: whose land is it anyway?

Foreign firms are snapping up all the best fertile land in Mali. But what does this mean for the local farmers?

A new complex of government offices on the banks of the river Niger in Bamako, Mali, is like a wedding cake; pale pink, frosted with decorative detail, its plate glass winking in the sun. It's called the Administrative City and it was financed by the Libyan-backed Malibya development company. It is a powerful symbol of North African oil money and what it has to offer one of the poorest countries in the world.

Several hundred kilometres downstream there is more evidence of the petromillions pouring into Mali. In the dusty flat marshlands of Macina in the S�gou region, enormous green metal sluice gates tower over a massive new canal built by Malibya. Forty kilometres long and 30 metres wide, it is one of the biggest canals in sub-Saharan Africa.

The Chinese contractors have just finished building it and it is eerily quiet, with only the slap of water against the new concrete walls and the chatter of occasional groups of schoolchildren heading home. The canal is destined to irrigate a vast area of land ? 100,000 hectares in total ? in one of the most controversial and secretive land deals in Africa, a continent that has become a target for a greedy and hungry world.

In the last six years, there has been a dramatic increase in foreign investment in land deals across Africa and the Malibya deal ? a 50-year lease agreed by the Malian and Libyan presidents ? has become totemic of the fear that this new phenomon of land grabbing will deprive subsistence farmers of their land and their food.

Mali is one of the countries most affected by the scramble for land, and S�gou, the country's rice basket, is at the eye of the storm, with buyers from Senegal, South Africa, China, as well as domestic companies snapping up leases on thousands of hectares. This is land already intensively used in a country with one of the highest population growth rates in the world and where 80% of the people depend on farming for their livelihood.

As you stand by the sluice gates with the chalky brown water churning below, or you drive for the best part of an hour on the new road running alongside the vast canal, you get a sense of the dramatic scale and huge cost ? estimated at $54.7m (�34.6m) ? of the project.

Big ambitions are about to be unleashed on this land of small, mud walled villages, rice fields and grazing herds of cattle. Some villagers are hopeful that the new scheme will bring much needed irrigation and jobs to these desperately poor communities. Malibya has promoted its scheme as part of a bid to raise agricultural yields and improve food security in a country where many often go hungry.

"I'm not reassured by the promises," says Abduallai Kee, a member of the local farmers' union. "They tell the villagers that they will give compensation for land and that they will give jobs, but this is just to give villagers a feeling of having been 'consulted'." He has seen the maps of how the land will be parcelled out for mechanised rice production and fears that the dispossessed will have no choice but to work as day labourers.

No one knows if there has been an environmental impact assessment or what attempt has been made to map how many people are living on this land. Already, the canal has blocked several important cattle routes. What adds to the sense of insecurity is that Mali has almost no private land titles and land is owned ultimately by the state. Traditionally, this has been interpreted with respect for customary land use ? both for grazing and agriculture. But it is far from clear that the rights of those currently living on the land will be protected. Already, more than 150 families have been forced off the land to make way for the canal, and campaigners worry that this is only the start.

"The government are bandits. What they are doing is completely against every law," says Ibrahim Coulibaly, president of the Coordination Nationale des Organisations Paysannes, which has been organising protests. "Even if the land does belong to the government, the people living on it still have rights, and we will do everything to fight against this injustice."

The danger is that it will exacerbate food insecurity in a country where malnutrition is widespread and food production is already seriously threatened by climate change, argues Mark Butler, the country representative for the UK aid agency Tearfund.

Georgette Foure saw her house and garden flattened to make way for the canal. She was paid just �511 for her house and fields. A widow and mother of six children, her eyes well up as she tells her story.

"I used to get a good harvest from my big garden and it helped me feed my family and pay for the children's education. Now we have nowhere to live. How would you feel if someone came early one morning and destroyed everything? It was unbelievable. They gave us some compensation but it was not enough and the land they gave us is a big hole in the ground which we will have to fill before it can even be used to grow anything."

She smooths down her dress; ironically, it is made of fabric celebrating Mali's recent 50th anniversary and emblazoned with the slogan "The Fiftieth is for You".

"It is hard to look ahead because my family depended on me. Now I work a little on other people's farms and doing odd jobs to survive. It's a nightmare and the only thing which gives me strength is to rely on God."

In the village of Kolongo, where Foure's house once stood, more villagers offer stories of inadequate compensation. The tumbled-down mud walls of their demolished homes are still evident beside the new canal.

Tienty Tangaka stands on the baked earth and rubble where his home and garden once stood. Beside him is the massive stump of a neem tree that was cut down to make way for the heavy equipment needed for construction.

"The compensation they gave was not enough to build a new house," he says, his clothes ragged. "We are very deeply shocked. I have lived here all my life but I was told my smallholding was not on the map used by Malibya to build the canal. They took me to the tribunal and I was told that I had built on land where building was not allowed ? and I lost my home.

"This project is good for the government but it is not good for the people. Even before it has become operational we are seeing the drawbacks; once the gates opened on the canal we saw all the water pour in, we knew there would be less water for others.

"We had meetings with Malibya but the compensation they have offered is too little for our families. We have no words to describe this betrayal. I'm not worried about myself ? I'm 51 and in another 10 years I will be done. But my little children, I don't know what will be their future. I don't know how they will survive."

Standing in the ruins of Tangaka' s old home, two brand new phone masts are visible on the other side of the canal. There are also plans for an airstrip, which is fuelling suspicions that the rice produced is not destined for Mali but for export to Libya to meet the need for cheap food for its large migrant workforce. Like many Middle-Eastern countries, oil-rich Libya imports large quantities of food and it needs to ensure cheap and plentiful supplies.

A little further on, just beyond Kolongo, in the village of Bourant, the David and Goliath conflict between these villagers and Malibya came to a head a few months ago. During his nightshift, one construction worker noticed that the bulldozer was turning up human corpses. Without adequate maps, the construction team had stumbled into two adjacent cemeteries, one for Muslims and one for Christians. Uproar ensued with nearby villagers grabbing farm tools to form a blockade against the bulldozers. Work stopped for several weeks.

Diarra Seynei takes us to the area beside the canal. "Considering the culture and traditions of Mali, this is a big shame, an insult to our values. This was the resting place of our parents," he says.

We walk on the bare earth along the dyke in the baking heat, listening to his story of outrage. We stumble on a fragment of human skull.

"They could have avoided the graveyard but they wanted to do the job quickly and they wanted the straight route. Many people cried when the bodies were taken from the graves. It was a big shock," he adds.

Worst of all, he says, there was no way to identify the broken bodies or to work out which bones were Muslim and which Christian for reburial in the new sites.

As we are talking, a large truck draws up. A Malibya manager approaches us, asking us what we are doing and tells us that the land is private property. Our guides talk vaguely of research and the manager is suspicious, insisting that we should have asked permission from his office. The atmosphere is tense, and we leave.

Local farmers risk losing their land and their livelihood, but perhaps the greatest risk of this project is the loss of water. Malibya has boasted that the new canal has the capacity for 11m cubic metres a day, 4bn cubic metres a year. Campaigners claim that is twice the capacity of any other canal in the region. Their concern is that neighbouring land will be deprived of water when stocks run low; they have heard rumours that Malibya has negotiated priority access to the water.

Water is everything in Mali: half the country is desert and the bulk of the population depends on the river Niger, which dominates the country's central belt and forms one of Africa's biggest inland swamps, an area crucial to Mali's rice production, fishing and nomadic cattleherding economy. Further downstream, another five countries depend on its waters before it finally empties into the Atlantic in Nigeria. The Malibya deal is making not just many Malians anxious, it is making its neighbours uneasy as well.


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Boney M singer Bobby Farrell dies

Charismatic frontman dies on tour in St Petersburg after performing despite concerns about his health

The charismatic frontman of Boney M, Bobby Farrell, has died on tour in St Petersburg after finishing a gig despite medical concerns.

The 61-year-old, who brought the Caribbean carnival tradition of his native Aruba to western pop, had complained of breathing problems before and after the show.

His agent, John Seine, said that "heart problems, shortage of breath and problems with his stomach" had plagued the performer for 10 years, but had never dented his love of performing live. A natural showman, Farrell made slick dance routines and exotic costumes as much a part of Boney M appearances as the music.

The most famous person to come out of Aruba ? a tiny island nation which along with Curacao and Sint Maarten are part of the Netherlands ? he towered over the women who took the other three places in the group. His signing in 1975 gave a new lease of life to an odd collective, which primarily performed to music pre-recorded by the German singer and composer Frank Farian.

Farrell was seldom involved in studio recordings of the group's many hits such as Rivers of Babylon and Brown Girl in the Ring. His forte was live performance, when his sometimes ragged voice worked well and his movements were a whirl of bare midriff, tight bell-bottoms, huge afro hair-do and spidery reach and height.

"I like to look good on stage and to release all my energy in my shows," he said on his website recently. "The energy in my music has no limit. I want people to feel entertained and to hear the love that I have for creating music, translated into my songs."

Farrell was involved in a succession of dramatic splits and makeups with Farian, leaving the group more than once after allegations of unreliability. But his career continually reignited after initial stardom in the 1970s, and he barnstormed the international concert circuit in the 1990s and the first decade of this century.

"He was a fantastic person, quite bizarre," said Seine. "He had a big heart but he was also explosive."

Born Alfonso Farrell, he was brought up amid Aruba's rich musical combination of carnival songs and processions, mixed with religious ceremonies from the Dutch colonial era. He left school at 15 to work as a sailor, but jumped ship in Norway and set himself up as a DJ.

Modest success took him to Germany where he was spotted by Farian, who had invented Boney M as a pseudonym, taken from an Australian TV series. Music was Farian's strength but he needed a sexy and attention-catching cast to present curiosities such as Baby Do You Wanna Bump, which he recorded entirely himself in 1974, singing both deep bass and falsetto parts.

Farrell proved his worth with Daddy Cool, which was Britain's number one for five weeks in 1978, the same year as Rivers of Babylon made the top spot. His own Boney M team played to wild acclaim up to his death, with an Abba-like repertoire of past golden hits to sing. Following tours of the United States, Colombia, Turkey, Finland and Slovakia, he was due to release a new album and tour Italy this spring.

He was found dead by staff at St Petersburg's Ambassador hotel after failing to respond to a wake-up call. A Dutch speaker, he lived near Amsterdam, where he leaves a son and a daughter.


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Conservation stories of 2010

The International Year of Biodiversity saw mixed fortunes for Earth's animals. Some species suffered further declines, but there were also conservation success stories to celebrate


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Eat up some Mexican culture

It's official: Mexican cuisine is so good Unesco has put it on its cultural heritage list. And the best place to try it is Oaxaca, the country's foodie heart

'Would you like to try stone soup?" asked my guide as we drove east out of Oaxaca city along highway 190. I wasn't sure my teeth could take it, but she swung the car off the dusty road and pulled up beside an open-fronted wooden diner, where dozens of tables and benches waited in the shade.

The waiter delivered a jug of iced pineapple juice with a plate of freshly baked mushroom and pumpkin flower quesadillas, then led us to a smoky corner where the chef was poking around in a fire with long wooden tongs. Several gourd bowls filled with clear broth, sliced green chillis, coriander and onions, a few plump greyish prawns and a chunk of raw red snapper were lined up on a bench. When the stones glowed crimson with the heat, he pulled them from the flames with the tongs and dropped them into the bowls. The contents began to boil immediately, fizzing and spitting ferociously. By the time we had carried them back to our table the fish was cooked to perfection in its tangy spicy broth.

"We use river stones; they can only be heated once or they explode," said the chef. This pre-hispanic dish, caldo de piedra (stone soup), has been made by the Chinantec people of San Felipe Usila, in the state of Oaxaca, southern Mexico, for centuries. It is this sort of ancient dish that last month led Unesco to list Mexico's traditional cuisine (the only other is French gastronomy) as "intangible cultural heritage".

While Unesco's world heritage list recognises historic and natural wonders, the "intangibles" list covers traditions such as dances, songs, rituals and crafts ? fragile links with the past, at risk of erosion not by weather or woodworm, but by modernisation and globalisation.

To those who know Mexican food as enchiladas, fajitas and burritos, this may be surprising. But the country's culinary heritage is several millennia old, with recipes from Aztec, Mayan and other groups fused with Spanish influences, and staples of corn, beans, avocado and chilli jazzed up with chocolate, cactus and grasshoppers.

One of the best regions for Mexican eating is Oaxaca, rich in indigenous culture and famous for its mole (chocolate sauce used in savoury dishes), and meat. Who could be a better guide to Mexican food than Oaxaca city's top chef, Alejandro Ruiz, whom I met the week after the Unesco announcement at the restaurant he runs in the city's luxurious Casa Oaxaca boutique hotel? As one of a new wave of contemporary chefs turning traditional cuisine on its head, he claimed not to give an ay caramba! for Unesco's seal of approval, though he does care about culinary history.

"I want to protect our ancient recipes. So many are lost when our old ladies die. But I also wanted to do something lighter, more modern."

Alejandro has travelled all over Mexico, gathering recipes and cooking techniques using unusual ingredients such as iguana, wild mussels and goat, striving for new interpretations of old recipes and methods.

El Restaurante (casaoaxacael restaurante.com), his main venture, has Oaxaca city's best views, and some of its best food. From a rooftop candlelit table, I drank a passionfruit mescaltini and watched teenagers canoodling on the polished steps of Santo Domingo cathedral. Cheese-stuffed pumpkin flowers (a local delicacy) were followed by duck tacos with frijole (bean sauce) and squishy suckling pig with white beans. Our only complaint was that it was so dark we couldn't see what we were eating, so much of the joy and presentation was lost.

Alejandro's favourite new restaurant is Pitiona (pitiona.com), opened three months ago by Jos� Manuel Ba�os Rodr�guez, a young chef with a stint at Spain's famous El Bulli restaurant under his belt. It shows. The food was incredible. My friend and I both ordered the six-course tasting menu (refusing the offer of a different accompanying mezcal with every course), but were each brought a different six. From the traditional sopa de fideos (noodle soup) with tiny floating cheese marbles ? thin-skinned capsules of liquid which burst on the tongue ? to the chicharr�n (crisp pork skin) and prawn taco, the fish burger that looked like a scallop, the lamb with white bean spray-can mousse, all had serious wow factor.

But what about real traditional food, I had asked Alejandro, where do we go for that? His eyes lit up as he described the Sunday food market in the nearby village of Tlacolula, so the next day, we went. Amid the live turkeys, dried grasshoppers, basketball-sized cheeses and fermented cacao juice sold here by 22 indigenous communities, we found the barbacoa (barbecue) section. There women touted baked lamb and goat, thrusting out samples with their bare fingers. We picked the tastiest stall, called Chabelita, and enjoyed a tortilla of soft spicy meat cooked for five hours in a hole in the ground then rolled in lime juice, onions and radishes.

Further on were dozens of butcher's stalls and a line of charcoal barbecues; we bought paper-thin slices of beef shin and grilled them ourselves with spring onions and chillies.

While posh meals in the city were astounding, these traditional out-of-town places were the most exciting. Linda Hanna, the guide and B&B owner who had taken us for stone soup, introduced us to other traditional dishes at Azuzena Zapoteca (tilcajete.org), in the village of San Martin Tilcajete. Chiles en nogada was a fantastic patriotic dish of Mexican colours ? green chillis stuffed with meat and dried fruit, with pomegranate seeds and creamy nut sauce.

Her last tip, revealed with a wink as she said goodbye, was to go to Hosteria de Alcal� (hosteriadealcala.com), back in the city, and to mention her name when asking for the caf� de diablo. We didn't know what to expect so were amazed when three waiters set up two tables beside us, lit grills, and set to work flamb�ing bananas, pouring several different liqueurs into a vat of coffee and, just before serving, setting a spiral of booze-soaked orange peel alight in a dramatic blaze of flames. Not exactly what Unesco had in mind, but a spectacular finale.

? Doubles at Casa Oaxaca (casaoaxaca.com) cost from �138 a night. Or stay at Las Bugambilias (i-escape.com, doubles from $80 a night), or out of town at Casa Linda (folkartfantasy.com, from $65 a night). Flights from Heathrow to Oaxaca via Mexico City in April and May 2011 start at �764 with British Airways and Aero Mexico, through Netflights.com (0844 493 4944, netflights.com). Further info: whc.unesco.org


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Polar bears win night for BBC1

Spy on the Ice documentary pulls in 5.4 million viewers, while C4's controversial comic Frankie Boyle lags with just 600,000

BURST BOYLE

Frankie Boyle's Tramadol Nights, Channel 4, 10.30pm ? It was not Channel 4's most popular show of the year, but it is likely to be the most controversial.

The stand-up comic's six-part series ended with 600,000 viewers, a 3% share of the audience, with another 100,000 on Channel 4+1, half the 1.3 million who watched its debut on 30 November.

The second episode of the Boyle show is being investigated by media regulator Ofcom after a complaint by Katie Price about a joke he made about her son Harvey which was described by her lawyers as "exceptionally discriminatory, offensive, demeaning and humiliating".

It trailed in last of the five main channels, beaten by Channel 5's Most Shocking Celebrity Moments 2010, which averaged 1.5 million viewers, a 7.5% share, between 9pm and midnight, and BBC2's QI XL Christmas Special, which had 1.7 million viewers, a 9.7% share, between 10.30pm and 11.15pm, with another 28,000 on BBC HD.

THE CASE OF THE FESTIVE OVERNIGHTS

Agatha Christie's Marple, ITV1, 8pm ? Julia McKenzie returned as the eponymous Miss Marple in an episode called the Blue Geranium. It averaged 5.2 million viewers, a 20.3% share of the audience between 8pm and 10pm.

But not even an all-star cast that included Toby Stephens and Donald Sinden could beat BBC1's Polar Bear: Spy on the Ice, which averaged 5.4 million viewers, 21% of the audience, between 8pm and 9pm.

The polar bear documentary was followed by a new episode of the Only Fools and Horses prequel, Rock & Chips, starring Nicholas Lyndhurst and the Inbetweeners' James Buckley, which was watched by 5.1 million viewers, a 20.3% share, between 9pm and 10pm on BBC1.

CAN YOU TELL WHAT IT RATED YET?

Arena: Rolf Harris Paints His Dream, BBC2, 9pm ? The celebration of Rolf Harris's life and career averaged 1.6 million viewers, a 6.5% share, between 9pm and 10.30pm.

It beat the last of Channel 4's The House That Made Me, featuring Sanjeev Bhaskar, which averaged 800,000 viewers, a 3% share, between 9pm and 10pm, with another 100,000 on Channel 4+1.

Arena also beat the final episode of the seventh series of Peep Show, which averaged 800,000 viewers (3.8%) with another 100,000 on Channel 4+1.

All ratings are Barb overnight figures, including live and same day timeshifted (recorded) viewing, but excluding on demand, +1 or other ? unless otherwise stated. Figures for BBC1, ITV1, Channel 4 and Channel 5 generally include ratings for their HD simulcast services, unless otherwise stated

? To contact the MediaGuardian news desk email editor@mediaguardian.co.uk or phone 020 3353 3857. For all other inquiries please call the main Guardian switchboard on 020 3353 2000.

? If you are writing a comment for publication, please mark clearly "for publication".


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Radio head: Pick of the year

From a warmhearted account of the miners' strike to Kathy Burke's Desert Island Discs, Elisabeth Mahoney selects her favourites of 2010

This has been a good year for radio. We've had record audience figures, testimony to radio's stubborn connection with listeners. As other media audiences fragment, radio listeners seem as dedicated to their favourite stations ? we each have 2.4 of those, according to recent research ? as ever.

It's partly that radio handily knits itself into whatever else you're doing, but it's also the stonking programmes. My favourites this year include Ballad of the Miners' Strike (March, Radio 2), a hugely moving and important testimony woven with folk music, archive clips and much warmth.

I also relished Desert Island Discs generally, but the Kathy Burke edition (August) in particular: this was fine radio, revelatory and life-affirming, and nothing more complicated than a chat over some music. Features is my favourite strand of radio, and there have been some crackers this year, most notably Heel, Toe, Step Together (December, Radio 4), a tenderly composed programme about an unlikely dancing friendship.

There were also some water cooler moments on radio: Chris Moyles ranting about not being paid; the death of Norman Painting, who played Phil Archer, and the delicate, moving way his on-air death was handled; James Naughtie's c-word slip when talking about Jeremy Hunt. These three couldn't be more different, but each programme has a fiercely loyal audience with a huge sense of connection to it.

There are more worrying issues. One wonders quite what will be left of the tremendous World Service once the budget cuts kick in, and radio drama has had a pruning with the loss of the Friday Play. The nationwide roll-out of commercial stations such as Smooth and Kiss means more listener choice, but we need to protect local radio too: it is, after all, what we turned to when the snow disrupted everyday life. But there remains much to cheer about: 2010 after all was the year when 6Music was threatened, then saved, and found a huge new audience.


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Wednesday, December 29, 2010

Radio review: Plumbers and Penguins

Not everyone who works in Antarctica is a research scientist, as this fascinating look at the lives of a plumber and a GP who went out for 18-month stints showed

Plumbers and Penguins (Radio 4) was that lovely prospect, a well told programme about something most of us know little about: people other than scientists employed to work at Antarctic research stations.

Chris Eldon Lee's report followed the stories of Mark Green, a plumber, and Claire Lehman, a recently qualified GP, as they headed for Antarctica for 18-month posts. Green faced the biggest immediate challenges, with pipes freezing as you try to fix them, and every job involving the hacking of ice that had the upper hand.

A recurrent theme was workers trying to amuse themselves in the long months without sun. Lehman climbed a mountain early one morning in the hope of glimpsing a ray or two. Green spent hours observing 2,000 penguins gathered together, their urgent noise like Daleks crossed with Clangers. Another worker made the most of resources on hand, building a Chesterfield sofa out of ice. "It's 28ft long, 8ft high and 7ft deep," she said proudly.

Life is hard: "To have a cup of tea, we have to dig snow." Temperatures regularly dip to -50C, but there's also the abrasive, icy wind ("It usually has bits in it that take your skin off"). Yet the camaraderie and appreciation of their unique experience left everyone sounding warm inside and thrilled to be there.


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