Tuesday, May 31, 2011

Peppa Pigs might fly: children's TV sensation heads for US stores

Fisher-Price merchandising deal could tranform popular UK cartoon character into a $1bn brand

Move over Miss Piggy, there's a new sow in town. Britain's Peppa Pig is about to take the US by storm after a merchandising deal was announced yesterday with Fisher-Price that could see the franchise become a $1bn brand.

Peppa Pig started winning pre-schoolers' hearts in 2004 as the rosy-cheeked character who likes to jump in muddy puddles in a five-minute children's animation on Channel 5.

The creation of award-winning British animators Neville Astley and Mark Baker, Peppa Pig is now worth more than �200m a year in merchandising sales in the UK alone, outselling Fireman Sam and Thomas the Tank Engine.

The franchise includes a live theatre show and the recently opened Peppa Pig World theme park in Hampshire. Her influence was such that Peppa was pulled out of a Labour party event at a Sure Start centre in the runup to the last general election "in the interests of avoiding any controversy or misunderstanding".

Co-owner Entertainment One announced the US deal with Fisher-Price, part of the world's largest toymaker, Mattel, that will involve the development of a "comprehensive toy line" based on the TV series.

Peppa Pig debuted on US cable channel Nick Jr in February, becoming an instant hit. It attracts more than 500,000 viewers aged two to five.

"Partnering with such a prestigious toy licensee at this stage in the property's evolution is testament to the strength of the US broadcast figures and the proven success of the brand in the UK," said Darren Throop, chief executive of Entertainment One. "The initial success of the TV ratings illustrates the potential of the show and the confidence we have that the brand will be a big hit with US consumers."


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/tv-and-radio/2011/may/31/peppa-pig-fisher-price-deal

Butterflies Everton Rihanna Taxonomy Dimitar Berbatov Strictly Come Dancing

Allardyce to be new West Ham manager

? Allardyce offered huge bonus to lift Hammers back to top flight
? Former Blackburn manager seeks assurances from co-owners

Sam Allardyce is expected to be confirmed as the new manager of West Ham United as soon as the final details of his contract have been signed off, according to a source close to the 56-year-old.

It is thought that Allardyce will be paid a �1.25m?a-year salary, plus a bonus of at least �1m by David Gold and David Sullivan, the co-owners, if he can return the relegated club straight back into the Premier League next season. Sullivan has said that Championship football will "blow a �40m hole" in the club's finances, despite the parachute money West Ham will receive over the next two seasons.

Allardyce will replace Avram Grant, who was sacked once West Ham's drop into the Championship was confirmed following the 3-2 defeat at Wigan Athletic this month. Allardyce has been out of work since he was removed as the Blackburn Rovers manager last December, after being in charge at Ewood Park for two years.

Allardyce's preference had been to return to work at a top-flight club, with the former Bolton Wanderers and Newcastle United manager not declaring an interest when Burnley and Preston North End were searching for a new manager.

However, West Ham's greater profile and the larger budget, despite their financial difficulties, is thought to have persuaded Allardyce that the east London club provide the ideal platform from which to relaunch a 20-year managerial career he still hopes could include taking charge of the England team.

Whether he will be allowed total control of transfer affairs by Gold and Sullivan is a moot point, while Allardyce will also have sought assurances from the owners that they will measure their public statements as much as possible. Grant is known to been unhappy at interference from Gold, Sullivan and Karren Brady, the vice-chairman, in both of these regards during his single-season tenure, though it is understood Allardyce is satisfied following discussions.

Once Allardyce is appointed the future of the relegated club's better players, who include Scott Parker, Robert Green, Matthew Upson, Carlton Cole and Thomas Hitzlsperger, should become clearer. While Parker, Green, Upson and Cole are almost certain to leave, Sullivan has told Hitzlsperger that he would be made club captain and the team's focal point should the German midfielder choose to stay on and help in the tilt at winning instant promotion.

Demba Ba, the Senegalese who scored seven league goals in 12 appearances since joining on a pay-as-you-play deal in January from Hoffenheim, is also undecided.

Allardyce was reported as saying at the weekend: "Everything has been agreed in principle and I look forward to taking charge after I have had a family holiday. It's always difficult dealing with the aftermath of relegation but I want to get West Ham back into the Premier League as quickly as possible."

Allardyce beat other possible candidates who are believed to have included Queens Park Rangers' Neil Warnock, Dave Jones, the sacked Cardiff City manager, and Ian Holloway of Blackpool.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/football/2011/may/31/sam-allardyce-west-ham-manager

Allen Stanford Consumer affairs Roy Hodgson Mergers and acquisitions Banking Digital media

E coli outbreak linked to cucumbers sparks health alert in Germany - video

German ministers and disease experts investigate an E coli outbreak which has killed more than 10 people and left 300 seriously ill


Source: http://www.guardian.co.uk/uk/video/2011/may/31/e-coli-cucumbers-germany-video

Twitter Steve Coogan Darren Bent Noel Coward Mark Zuckerberg Christmas and New Year

Children's TV is growing up ? is that a good thing?

Horrible Histories' move to primetime shows how sophisticated kids' shows have become. Would you rather watch CBBC?

There used to be a certain stigma about working in children's TV ? traditionally seen as a graveyard of languishing careers, hardly known for its stratospheric heights of glamour. Subscribe to that view these days, however, and you'll be surprised.

For not only has children's TV has proven itself to be fertile ground for emerging talent such as Miranda Hart (who made an eccentric appearance in CBBC's Hotel Trubble in 2008), but over recent years it has also started to attract more established actors and comedians. Take the vocal talents of James Corden (Little Charley Bear) on CBeebies, Rebecca Front's role in CBBC's remake of Just William or Larry David's cameo in Hannah Montana - they're queuing up, but why?

The most obvious answer (as was the case for Larry David) is that they're doing it for their own younglings ? which is why CBeebies can attract names such as Patrick Stewart and Gary Barlow to read its Bedtime Stories. But it's about more than that: thanks to shows like Yo Gabba Gabba!, Rastamouse and Horrible Histories, which returned yesterday, children's TV has shed its "cobbled together" image and raised its game.

Loved by kids, adored by adults, the fantastically clever and hilarious Horrible Histories (which became the first children's show to win a British Comedy Award this year) has established itself as the flagship for a new era of children's television. Its crossover appeal stems from a writing team who don't patronise their audience, but instead treat them as intelligent people. It's this adult approach to writing children's comedy (Big Babies, Hedz and Marcus Brigstocke's Sorry, I've Got No Head all being superb examples) that has attracted performers such the Mighty Boosh's Simon Farnaby.

Farnaby says he found the transition from the silly and surreal regions of mainstream adult humour to children's TV all too easy. "If I had to choose between adults and kids TV ? as in, if I was offered the same amount of money for both ? then I have more fun doing those children's show sort of characters which lets you cut loose and be more creative, there's a lot more freedom there. Also, I don't think there's any cynicism in doing children's TV any more, maybe it's because we've moved on or kids' tastes are older ? we know we're not going to be wearing zany, multicoloured outfits."

He has a point. CBBC controller, Damian Kavanagh, has previously cited BBC1 drama Waterloo Road's popularity among six to 12-year-old girls as proof that his audience has matured and that children's TV now faces huge competition from mainstream programming. Although this summer, children's TV will bite back as Horrible Histories gets a primetime slot with Stephen Fry at the helm.

What do you think? Have you spotted any high-profile actors on children's TV lately? Are the worlds of mainstream and children's TV too close for your liking? Leave your thoughts below.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/tv-and-radio/tvandradioblog/2011/may/31/childrens-tv-mainstream-actors

Mortgages Andrew Cole Skiing Belarus Manchester United Hacking

Country diary: Bergh Apton, Norfolk

This village-based sculpture trail is now such an eagerly anticipated fixture of the regional arts scene that it seems odd to have to recount the basic format. For three weekends (between 21 May and 5 June) vast numbers of the public can be found wandering the labyrinthine lanes that thread through this exceptional place. Mere strangers are then encouraged to let themselves into a selection of private gardens without so much as a "Hello, d'ya mind?" to the owners, who are often on hand to facilitate your "trespass". These settings range from the vast parkland around Bergh Apton Manor, right down to the maze-like arrangement of hedge, bush and outbuilding that encloses the village post office. In each of them is a display of sculptural work by a huge range of artists, many of international repute.

This year they have bolted on to the main show an array of music, drama, performance and rural craft displays, such as hedge laying and wrought-iron work. In some ways these "extras" rival the central artistic event, but I was reassured to find a good selection of work by some of my favourite local sculptors, such as the brilliant scrap-iron birds and beasts of Harriet Mead, the wonderfully mobile steel creatures of Andy Jarrett, the more decorative ceramics of Georgina Warne, and the calligraphy of Gary Breeze. And all that fresh air somehow liberates us from the usual wall-to-wall piety and deference that often cramp more formal art exhibitions. I loved the way the woman with the strong local accent and her Asda shopping bags felt entitled to argue how Chris Summerfield's Fish on Wheels (the emblem piece for the whole exhibition) should have really been sited over water. Somehow Bergh Apton allows us all to feel that sculpture is important but also part of our everyday experience.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/environment/2011/may/30/country-diary-bergh-apton-norfolk

Pakistan cricket team The Archers Wigan Athletic International criminal court Republicans Rape

Greek optimism lifts Wall Street, Footsie

New optimism about a fresh Greek bailout package is lifting the mood of investors around the world, with Wall Street opening over 1% higher.

The Dow Jones in New York climbed over 130 points to 12574.29 in early trading while the FTSE 100 index in London rose some 66 points at 6002.40, a gain of more than 1%. Stock markets in Europe were also up, with Germany's Dax trading nearly 150 points higher at 7308.67, a rise of 2.07%, and France's Cac adding nearly 72 points to 4014.14, up 1.82%.

The euro hit a three-week high against the dollar and Greek bond yields edged lower after a report that Germany is relenting over its demands for an early rescheduling of Greed debt, raising hopes that a second aid package can be put together by the end of next month. That date is crucial because the International Monetary Fund has threatened to withhold a tranche of aid due on 29 June unless the EU guarantees to meet Athens' funding needs for the next year. Greece has realised that it will be unable to return to capital markets to service its borrowing needs any time soon.

Amid the risers in London were UK banks such as Standard Chartered and Barclays, which benefited from a broker note. Nomura remained "overweight" on all three branches of financials - banks, insurance and real estate - but expressed a preference for banks. Standard Chartered was upgraded to "buy," which sent its shares 27.5p higher to 1632.5p.

"With bank debt performing well and earnings downgrades perhaps now reaching at least a relative crescendo, the sector's underperformance [against insurance and real estate] may be close to an end," said Nomura.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/business/marketforceslive/2011/may/31/greek-optimism-lifts-wall-street-footsie

Tottenham Hotspur Savings Europe Panto season US military Cornwall

Deadlier than Crack- video

Tom Phillips takes a look at the latest drug to emerge from South America. A highly addictive mix of cocaine paste, gasoline, kerosene and quicklime called Oxi.


Source: http://www.guardian.co.uk/politics/video/2011/may/30/oxi-deadlier-than-crack-video

Sepp Blatter Lake District Ethical and green living Lee Bowyer House prices Social care

What is a cheap Euro destination?

A reader has had enough of staycationing and wants to take their children abroad on the cheap

Every week a Guardian Money reader submits a question, and it's up to you to help him or her out ? a selection of the best answers will appear in next Saturday's paper.

This week's question

After several UK holidays I'm keen to get to Europe with our two kids this summer ? on a super-low budget. Where should we go that doesn't involve camping? We can fly, drive or go by train. I hear Germany is cheaper than the other euro zones. Where would you go?

What are your thoughts?


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/money/blog/2011/may/27/cheap-european-holiday-destination

Motoring Gay and lesbian travel Tobin tax Shola Ameobi Allied Irish Banks John Barnes

Monday, May 30, 2011

Northern Ireland economy to fall behind rest of UK

Northern Bank forecasts growth of just 1.1% as calls grow for more favourable tax rates to attract foreign investment

Northern Ireland's recession-hit economy will lag behind most of the UK this year, according to a key business survey that is expected to prompt further calls from Belfast politicians for cuts in corporation tax rates to compete with the south.

The Northern Bank's quarterly economic forecast predicts that the growth rate for the economy will struggle to reach 1.1% this year compared with a UK average of 1.7%. The bank's survey, which lowered the chances of falling back into a deeper recession, warned that growth and recovery were still fragile in Northern Ireland.

The report is published as the power-sharing government in Belfast makes a decisive push to persuade the Treasury to lower the local rate of capital taxation to 12.5% ? the same low corporation tax rate that its neighbours in the Irish Republic continue to use to attract foreign direct investment (FDI).

The north's politicians argue that they cannot compete with their southern counterparts in terms of winning FDI unless corporation tax is on the same level or even lower than the Republic's. But the Stormont Executive's campaign to lower the tax rate has created a problem for the Conservative-Lib Dem coalition because the SNP-led Scottish government has warned that if Northern Ireland is granted the same corporation tax as the Republic then Scotland should also get the same rate.

Despite the significant challenges that the Northern Ireland economy faces, the Northern Bank's forecasts for this year suggests that there will be growth in a number of sectors including: manufacturing (4.3%), agriculture (3.9%), personal services (2.6%), transport (2%) and hospitality (1.9%).

Angela McGowan, Northern Bank chief economist, said: "The impact of austerity cuts have naturally taken their toll on growth levels this year. Households have also felt the sharp impact from higher prices, which have eroded their purchasing power.

"A correction in international commodity prices would clearly improve the situation but cannot be guaranteed. At the moment, the primary support for economic growth is coming from low interest rates and solid global demand."

The report indicates that strong global demand continues to support Northern Ireland's local manufacturers with growth of more than 4.3% expected this year for this sector, on top of the 3% growth that was reached last year.

McGowan added: "Manufacturing remains Northern Ireland's shining star when it comes to comparisons of sectoral performance. What is disappointing in our economy's performance is the lack of growth in service exports over the last year.

"Despite the fact that global demand for many types of business services rebounded during late 2009 and throughout 2010, the majority of Northern Ireland's service companies remain focused on the local market."

Also highlighted in the report is information that the construction sector has hit a new low when it comes to output and earlier hopes that it may benefit this year from initiatives such as the Green New Deal are fading. The tightening in public spending will mean that some other sectors are also expected to shrink this year. They include: public administration (-1.4%) and education (-1.2%).

McGowan said: "Economic growth will be sluggish in 2011 and the challenges of reduced public monies and elevated inflation will take their toll. Nonetheless, opportunities remain in the form of high levels of global demand and the weak pound, the latter making our exports more attractive abroad."

Struggling to rebuild

Northern Ireland's construction sector is dominated by public-sector building works. In March, figures showed that schools, hospitals and transport projects accounted for 50% of building jobs, compared with 35% before the recession. Northern Ireland can still boast 70,000 construction workers and an industry that accounts for about �2.5bn of economic activity a year but it still faces a fourth year of decline. Figures from the Federation of Master Builders show March was the 13th month in a row that the workloads of small and medium-sized construction firms in Northern Ireland have been negative. The last edition of the Northern Ireland Construction Bulletins, published in January, showed that the total volume of output in the third quarter of 2010 was 11.1% lower compared to the same quarter in 2009.

Before the crash in 2007, Northern Ireland was gripped by one of the most spectacular property booms of any region in the UK. House prices tumbled by 40% in 2008 but it only partially deflated a bubble that had been inflating for five years: in 2006 alone, house prices had jumped by 48%, far more than any other part of the UK.

Phillip Inman


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/business/2011/may/30/northern-ireland-economy-slow-growth

Russia Social networking Kanye West Higher education England cricket team Soap opera

MPs and the judiciary: Judging the judges

In the crude calculus of who is up and who is down, judges are scoring better than MPs these days. Not surprisingly, MPs are resentful

In the crude calculus of who is up and who is down, judges are scoring better than MPs these days. Not surprisingly, MPs are resentful. The customarily robust assertion from the former home secretary Michael Howard that "the power of the judges, as opposed to the power of elected politicians, has increased, is increasing and ought to be diminished" resonates with all political parties. The judges' defence, that they do no more than interpret the law as parliament has made it, is true, though not the whole story. Politicians are wrong to moan that judicial decisions threaten the sovereignty of parliament, even when ? as the court of appeal did last Friday in the Shoesmith ruling ? upholding the rule of law checks governmental action. But it is also true that judges make choices, and unless MPs subsequently change the law, those choices determine what the law is.

The set of standoffs between the legislators and what used to be called the least-dangerous branch of government are triggering fresh attacks on the independence of judges, based on the argument that "political" law-making demands political accountability. This is particularly challenging for the supreme court, which briefly appeared on a list of redundant quangos last year. Relations between government and the judges are mostly mutually respectful, but it is not hard to see how they could erode. What might be done to prevent such a situation?

One way the legal profession could pre-empt sometimes justifiable public criticism is by greater transparency about who sits in the supreme court. Some MPs are calling for US-style hearings where the quality, legal thinking and broader sympathies of candidates can be tested. Confirmatory hearings of other senior public appointments, like the governor of the Bank of England, have proved valuable. But many who are demanding greater accountability for judges dream of a judiciary that reflects the moral bearings of the Daily Mail.

The problem is not that our judges are or should be partisan. Nor would anyone question the intellectual merit of the 12 supreme court justices. But in spite of some good intentions to diversify the bench, the 12 are all white, male (with the exception of Baroness Hale) and middle class. Some of this is hard to change, but this is a body that, in its own words, shapes our society and directly affects our lives, a body that unavoidably takes decisions that raise questions of social values. The court is in a weaker position than it could be to see off attempts to undermine its legitimacy. A broader approach to appointments would help do the job better.

It is common for judges to lament the supreme court's lack of diversity and at the same time to insist candidates can only be chosen from the ranks of the most senior judges. Yet it was disappointing that when, in March, an appointment was finally made from outside the appeal court for the first time, it went to Jonathan Sumption QC ? an undeniably brainy barrister, but as white, male and middle class as the rest, and thus hardly an inspiration to less orthodox candidates. From the bottom rung of the judiciary to the top, only a fifth of judges are women, and less than a 20th come from black and minority ethnic groups; in the high court and court of appeal ? the gene pool for the supreme court ? just 20 of 153 judges are women.

The judges are allowed to consider diversity when appointments are made. Yet they do not appear willing enough to rise to the challenge of venturing beyond the tried and tested. It should be possible, once the high standard of merit is passed, to find candidates from more diverse backgrounds. It would be desirable to set targets as milestones against which progress could be judged. Otherwise the senior courts risk fulfilling the gloomy prediction of a former attorney general, and becoming a self-appointing oligarchy ? and thus ultimately one that is less able to challenge parliament and defend itself effectively against parliamentary retribution.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://feeds.guardian.co.uk/~r/theguardian/commentisfree/rss/~3/6_jKpEsKPp4/mps-judging-judges-editorial

Mikel Arteta Poland Women Comedy Economic growth (GDP) US foreign policy

Pygmalion ? review

Garrick, London

One thinks of Pygmalion as about the metamorphosis of Eliza Doolittle. But in Philip Prowse's thought-provoking production, Kara Tointon reminds us that what matters ? and moves us ? is that Eliza does not, in the deepest sense, change. She may protest that Professor Higgins has stolen her independence, but she goes on to prove that her spirit is inviolably her own. Tointon, winner of 2010's Strictly Come Dancing, is perfectly in command of the part, especially physically. She starts off uncouth: legs apart, basket of violets between her knees, blowing dust from purple petals. But when launched on society she is as exquisitely upright as a white tulip, having apparently mastered elocution for the body. Rupert Everett is compelling, too, as a bracingly unusual Higgins (younger and nastier than most), a cross between Mr Rochester and a sulky mother's boy. Diana Rigg is tremendous as his mother; she seems to see and know everything, including the recognition that she is powerless to change her son. Alfred Doolittle (a dapper Michael Feast) knows the same thing about his daughter. And Peter Eyre's first-rate Colonel Pickering is a gentleman to relish (though not without his failings). It is a production that beautifully highlights one of Shaw's underlying observations ? that Eliza is not the only character in need of tuition.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/culture/2011/may/29/pygmalion-kara-tointon-garrick-review

Students Cancún climate change conference 2010 | COP16 Occupational pensions Nuclear weapons Savings rates Liza Minnelli

Flights resume as ash cloud clears

UK Met Office changes projections as steam replaces ash from Gr�msv�tn crater and airlines report flights without incident

UK airspace will be free of a dense volcanic cloud for the rest of the week, allowing the half-term getaway to begin without threat of disruption, according to the latest forecasts.

The Met Office believes that projections showing a heavy cloud of ash blanketing the UK on Friday are no longer valid because the Gr�msv�tn crater in Iceland is now emitting only steam as the eruption subsides. The information emerged in a conference call involving the UK aviation industry on Wednesday afternoon and the national weather forecaster is expected to produce a new, detailed forecast later this evening.

According to an aviation industry source, the latest development has headed off a potentially embarrassing development for the Met Office and the UK Civil Aviation Authority (CAA) on Friday.

If the previous forecast had remained unchanged, US and middle eastern airlines would have taken off and landed in the UK on Friday anyway because they do not use Met Office forecasts and their charts ? produced by the WSI corporation ? apparently showed no high density ash over the UK.

This could have resulted in British Airways and Virgin Atlantic flights being grounded while Emirates and American Airlines services took off and landed.

The news comes as UK airlines return to normal operation following severe disruption to flights in Scotland earlier this week. The head of British Airways and Iberia joined the clamour over the handling of the volcanic ash cloud after claiming that a BA test flight "found nothing" after flying through a smoke plume deemed by regulators to be too dangerous for normal commercial flights.

Echoing criticism from Ryanair, Willie Walsh said the plane flew through an ash "red zone" for 45 minutes over Scotland and northern England on Tuesday and encountered no difficulties. The chief executive of International Airlines Group, the parent of Britain and Spain's national carrier, spoke as the cloud from the Gr�msv�tn volcano moved away from UK airspace and began to affect travel in Germany this morning.

Walsh told BBC Radio 4's Today programme that the flight operated at different altitudes, through a zone designated by the Met Office to contain high densities of ash ? a level at which no commercial carrier has received safety clearance to operate. "Initially it flew over the north of England, Newcastle, Glasgow, Edinburgh, back to Newcastle. The aircraft then returned and has been examined. All the filters were removed and will be sent to a laboratory for testing. The simple answer is that we found nothing."

Philip Hammond, the transport secretary, defended the new ash regulations, which use Met Office forecasts to place ash clouds into three categories: low, medium and high. Airlines must produce safety cases, vetted by the UK CAA , to prove which density they can fly through. Currently, all UK airlines are clear to fly through the medium zones that have drifted across much of British airspace in recent days, but none have clearance to go through the high density "red zone" that has hit services in Scotland and has been the target of BA and Ryanair test flights.

Speaking on BBC Breakfast News, Hammond said the Met Office models could not be 100% accurate and the BA flight did not necessarily contradict the regime. He added: "The red zone is not indicating that every square inch of air within that zone ? contains a high density of ash. This is a modelled zone in which concentrations of ash at dangerous levels may exist. So it will be perfectly compatible with that model that an aircraft could fly through that zone and not encounter ash, but another aircraft could fly through on a different track and encounter high levels of ash."

About 500 flights were halted ? and others delayed ? across Europe on Tuesday as the eruption of Gr�msv�tn volcano in Iceland caused havoc at airports in Scotland and northern England.

Last night the Met Office had forecast a plume of high density ash over the UK on Friday, at a height of 35,000ft and above. This prompted the CAA to look at changing the ash regulations just in case a cloud hits the UK at 35,000ft on Friday. Current rules prevent "underflying" the cloud even though 35,000ft is roughly the maximum cruising height for airlines. This would prevent aircraft at Heathrow and other major airports taking off and landing even though they would not reach the cloud's altitude while in the area.

The government is also seeking to borrow an atmosphere monitoring plane from Ireland or Germany because the one it has ordered ? specifically for ash purposes ? will not be ready until July. On Tuesday the International Air Transport Association wrote to Hammond bemoaning the lack of monitoring aircraft. In the meantime the UK government is co-operating with commercial carriers such as BA to monitor the cloud.

The ash cloud ruined the plans of thousands of travellers travelling to and from northern Germany, when airports in Bremen, Hamburg and Berlin were shut as a safety precaution, hitting flights operated by BA, BMI, easyJet and Ryanair.

The flight ban issued for Hamburg and Bremen was lifted at midday after six hours. It remained in place for Berlin's two airports, Tegel and Sch�nefeld, which were closed between 11am and 2pm local time, the German air traffic control authority said.

Flights from Frankfurt were also affected, with domestic passengers for affected Lufthansa flights being given replacement rail tickets where possible. There were knock-on effects for travellers in the southern airports of Stuttgart, Munich and Nuremberg.

The closures caused anger among many passengers who thought they were unnecessary. This belief seemed to be confirmed when the scientific research centre J�lich issued a statement saying the concentration of ash in the current cloud appeared much lower than last year.

"If you look at the pictures we took last year, you can tell the concentration [of ash] is not as high," said Cornelius Schiller, after J�lich took measurements with their laser system, Lidar, in Schleswig-Holstein. But he said it was difficult to ascertain how much of a threat the current cloud posed. "We need to look closer at our data for that," he said.

In an interview on German TV on Wednesday morning, the German transport minister, Peter Ramsauer, insisted there was a "solid legal basis" for the flight ban, which has been criticised as too draconian by airlines.

Other European countries have adopted the German guideline of banning flights when the concentration of ash exceeds 2mg per cubic metre. "Safety comes first," Ramsauer told the public ARD TV network on Wednesday morning.

The number of German flights affected was not clear, but aviation authorities said at least 270 flights were cancelled in Bremen and Hamburg alone.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/world/2011/may/25/volcanic-ash-cloud-flight-disruption

Rob Brydon Celebrity Sepp Blatter Lake District Ethical and green living Lee Bowyer

'The idea of things assembling themselves has always fascinated me'

Video: Artist Mark Leckey introduces his exhibition See, We Assemble at London's Serpentine Gallery



Source: http://www.guardian.co.uk/culture/video/2011/may/30/mark-leckey-serpentine-gallery-video

Rugby league Qatar Entertainment Asia Simon Barker Arsenal

Let's move to Thame, Oxfordshire

It's not submitted to the gifte shoppe yet

What's going for it? If Thame were a person, I fancy it as Peter Bowles, in his late 70s To The Manor Born phase. Of a certain vintage, ruddy-faced, fruity. I imagine that behind the facades of the pretty old houses live antiques dealers who wear non-ironic cravats, or doughty ladies concerned about their ceanothuses, and with "pasts" long ago, on and off King's Road. Thame metamorphosed from cute-looking farming town to escape-for-raffish-up-from-Londoners in the 70s, when the M40 ended just outside ? extending the definition of home counties by a few miles. And all the lovely bygone property was snapped up. "It's never been the same since," a shopkeeper said. So I didn't dare bring up the M40's extension to Birmingham in the 90s, unleashing the denizens of Smethwick upon the town. It survived, needless to say, its model English town looks simply gaining a middle-aged spread of commuter estates, and the odd gift shop replacing country outfitters on the high street. These days, Thame hasn't relinquished itself entirely to those commuting hordes who can't quite afford the Cotswolds. There's still a great butcher's, a shop selling dolls' houses, a smashing bookshop, dreamy watermeadows and walks up on the Chiltern Hills.

The case against Not as expensive or snobbish as the Cotswolds have become, but not far off. Parochial, in the best and worst senses.

Well connected? Haddenham & Thame Parkway, a couple of miles out of town, gets you to Marylebone in Lonodn in 50-ish minutes and High Wycombe in 17, half-hourly; hourly to Birmingham, 85 minutes. The M40 makes Oxford 25 minutes away.

Schools Primary: St Joseph's Catholic, Barley Hill and John Hampden are all "good", says Ofsted. Secondary: Lord Williams's is "good" with "outstanding features".

Hang out at... The gorgeous garden at Sir Charles Napier in Chinnor.

Where to buy You'll want a nice period cottage in the old centre, won't you, or a farmhousey thing on the edge of town? Lovely Victorian terraces and small town houses on the streets surrounding the centre, too, and don't miss nearby villages such as Haddenham, Long Crendon and Chinnor. Everyone wants a honey-stone cottage: ergo the 70s estates are quite affordable.

Market values Large detacheds and town houses, �450,000-�750,000. Detacheds, �270,000-�450,000. Semis, �200,000-�400,000. Terraces, �170,000-�350,000. Flats, �125,000-�200,000

Bargain of the week One-bed terrace in the centre, �146,500, with Connells (01844 260000).

? Live in Thame? Join the debate below

From the streets

Elizabeth Chubb "There's a real community feeling ? you always bump into people you know. It has two good bookshops and a cattle market twice a week. The only downside is the Thame Fair ? four days of funfairs and louche behaviour."

Dr Andrew Markus "My wife and I have lived here for 50 years; it's kept its friendly market town feel, with small shops covering many needs."

Amy and Jay Critoph "There's a picturesque cycle path, beautiful walks in the Chiltern Hills, and pub food to the highest standard we've come across. The Thatch is good for a lazy Sunday lunch and the Rising Sun pub offers a surprisingly delicious Thai takeaway.

? Do you live in Norbury, south London? Do you have a favourite haunt or a pet hate? If so, please write, by Tuesday 31 May, to lets.move@guardian.co.uk


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/money/2011/may/28/lets-move-to-thame-oxfordshire

ITV St Petersburg Sir Alex Ferguson Petrofac Manchester United War crimes

Another view on The School for Scandal

Gossip blogger Sam Nathan feels vindicated by the shameless rumour-mongering in a funky update on Sheridan's play

Eighteenth-century farce isn't usually my bag, but I enjoyed this. The production works hard to bring out the parallels between the gossip-obsessed world of Sheridan's play, and the equally gossip-hungry world of today.

I really liked the way the play is styled. It's vibrant and clubby, and mixes period costume with funky, modern stuff you could wear out in Dalston; the overall look is quite Rihanna or Lady Gaga. All the characters are pretty over-the-top, too, though I think that's intentional ? they're meant to be stereotypes. One of them, Charles, reminded me of Pete Doherty: he's what I'd call an "intellectual partier".

The play proves that our love of gossip is innate. The characters pass on rumours like Chinese whispers, which is pretty much how Twitter works; at one point, they even exchange gossip on their BlackBerrys.

They do end up with some pretty ridiculous versions of the truth: one character says that when someone was shot, the bullet bounced off him, hit a bust of Shakespeare, flew off at a 90-degree angle and then hit a postman. This reminded me of the rumours that were spread about William Hague being romantically involved with his assistant, Christopher Myers.

The key line is spoken by a character called Mrs Candour. "The tale-bearers," she says, "are as bad as the tale-makers." For the characters in the play, being gossiped about is shameful. If they'd had super-injunctions, they would have used them. But the interesting thing is that today, the tale-bearers are the tale-makers: in the trashy gossipy world I work in, the celebrities want to be written about. They go to the right clubs; they use Twitter and other social networking sites. They know gossip is entertainment, it's escapism, and, as this play shows, it always has been.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/culture/2011/may/29/another-view-the-school-for-scandal

Slovakia CVs Obama administration Censorship BBC2 Milan Baros

Empty promise in the Alentejo region of Portugal

Portugal's Alentejo region is poor, uncrowded, wildly beautiful ? and now linked by direct flights to Heathrow

In these environment-conscious times the opening of a new airport is not normally cause for celebration. But I think the world will forgive tiny Beja airport for putting up the bunting and letting the band strike up tomorrow to celebrate the inaugural landing of flight BD1234 from Heathrow.

For one thing, we're talking about an Embraer 49-seater, flying just once a week to the airport, a former military airbase that is listed as an emergency landing site for the Space Shuttle. (The only other flights from here are to Cape Verde, used mainly by migrant workers.) For another, if ever there was a region in need of the economic shot in the arm that a new airport provides, it is the Alentejo ? with Beja sitting in its heart ? the poorest region of the poorest country in western Europe.

The Alentejo, derived from Al�m-Tejo or Beyond the Tagus, covers almost a third of Portugal, from the south bank of the Tagus down to the Algarve, and from the Atlantic coast to the Spanish border in the east. But it's home to just 7% of the country's population, economic flight having been a fact of life here for generations.

To the visitor it feels like undiscovered territory, a sleepy landscape of empty roads, pretty white villages, fields of half-naked cork-oak trees (the bark harvested from their trunks), vines, olive groves and small towns that have remained practically unchanged for centuries ? and perfect road trip country.

Last weekend, to get a sneak preview of this newly accessible region, we picked up a car from Lisbon airport and headed first for the Alentejo coast, which starts just south of the capital, and is, with the exception of an industrial zone around the town of Sines, one continuous stretch of wild cliffs and virginal beaches.

Not that there was anything virginal about Praia do Tonel, near Zambujeira do Mar, when we got there the only couple in this beautiful golden sandy bay were enjoying some alfresco nookie. The fact that it was a sunny Saturday afternoon yet they seemed as surprised to see us as we them, tells you just how deserted this coastline is.

This isolation also attracts one of the few colonies (or musters) of storks on the Portuguese coast. Getting an eyeful of the domestic life of these huge birds half a stone's throw from the cliff path was even more surprising than seeing a copulating couple, and we spent two hours watching the storks tend their young in their huge basket-like nests as waves crashed against the granite cliffs below them.

We had borrowed bicycles from our guesthouse, Herdade do Touril, a chic and tranquil homestead of whitewashed houses scattered over 365 hectares, three miles north of Zambujeira. Our cycle ride around the property's perimeter took in the coastal path and fields bursting with colourful wild flowers. After a few hours' brisk exercise in the warm sun, jumping into Touril's lovely saltwater pool (which has graced the cover of Cond� Nast Traveller) at the end of the ride was blissful.

Before heading inland we drove up the coast to Vila Nova de Milfontes, a pretty town on the beach-fringed estuary of the Mira river, for a lunch of barbecued sardines and shellfish at Restaurante A Choupana (Praia do Farol, +351 283 996 643). The combination of Portuguese vinho verde and fresh seafood is my idea of food heaven (particularly in an open-air restaurant bang on the beach with a view of the Atlantic).

It was a wrench to leave, but the rolling plains of the Alentejo are dotted with dozens of picturesque medieval towns. We had time to see just one, so we headed, via a vineyard or two, to the jewel in its crown, the walled city of �vora.

In keeping with the historic splendour of the place, we booked into the Pousada de �vora, a converted 14th-century convent wrapped round a series of shady courtyards. Pousadas de Portugal is a state-run chain of hotels in historic buildings such as monasteries or castles, similar to Spain's paradors.

Like their Spanish counterparts, pousadas offer affordable stays in some of the country's most magnificent old buildings (they offer excellent online deals), many of them in the Alentejo. But, in my experience at least, they also share the paradors' weak spot, in that the restaurant was no match for the majesty of the surroundings.

When we arrived late (but well before closing) for dinner, the head waiter, who had the appearance of Manuel and the manners of Basil Fawlty, couldn't disguise his indignation. So angry he could barely speak, he banged cutlery and plates down on our table. The food was the most mediocre of our trip, and we ate it in silence and without making eye contact in order to avoid an attack of the giggles and the wrath of Manuel.

But this was a small grumble. The pousada, like the town itself, is all about Portugal's history. The old town of �vora is a Unesco world heritage site, and right outside the front door of the pousada stands the 2,000-year-old Templo Romano, one of the finest Roman monuments on the Iberian peninsula. There's also a 16th-century aqueduct leading north-west out of the city that can be walked for five miles, and the macabre crypt of the stunning Capela dos Ossos (Chapel of Bones), where the walls are neatly lined with the bones and skulls of around 5,000 former �vora residents.

Nine miles west of the city is the Cromeleque dos Almendres, an oval of almost 100 granite monoliths that makes up one of the largest megalithic monuments in Europe. It's not as spectacular as Stonehenge perhaps, but this fascinating site isn't remotely commercial either. It sits, very peacefully, on a hillside of olive and cork trees, and access is free.

We had our fill of sightseeing in �vora, but it's a city where it's almost as much fun to wander around, get lost and hang out at bars and cafes in the numerous squares.

A weekend didn't feel nearly long enough to slow down to the Alentejo's very seductive pace of life, or to take in enough of this beautiful, quiet corner of Europe. But with the new flights into Beja on Sunday mornings only, staying for a week will be the norm. Three days on those gorgeous beaches and another three or four pottering around the Alentejo's vineyards and white marble villages ... now that sounds just about right.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/travel/2011/may/21/portugal-alentejo-new-flights

European Union Chamonix Yorkshire David Lynch Australasia US healthcare

Sunday, May 29, 2011

Was there too much coverage of Bob Dylan's 70th birthday?

The folk rocker's 70th was marked with much fanfare, but was it over-the-top? And is there a 'blokey cult' around all things Dylan? Two female commentators take up the issue

Kathryn Flett, writer and critic

I must say I found the mass outpouring of Bob-love for Dylan's 70th birthday a bit baffling. Other than 10 years, is there any difference between Bob at 60 and Bob at 70, or are journalists simply so obsessed by an anniversary that that is enough in itself? Surely by now Bob's body of work is an archive?

Musically, Bob Dylan's always been a bit "Morrissey" to me. By which I mean that a) it seems to be (primarily, though in your case obviously not) a bloke thing, and b) a very particular brand of musical Marmite... and if you just don't "get" it you're doomed to go through life, slightly apologetically, saying: "Sorry, not for me." I don't feel as though I should have to apologise for not "getting" Bob, but in some circles it would appear that to be anti-Bob, or even just Bob-meh, is to be anti-life; tantamount to saying" "I don't really like music..." And I do like music, lots of different sorts ? but not Bob. I really hate his voice.

But I grew up with a Dylan-obsessive for a dad. My pa is not only a songwriter for whom Bob's lyrics have always been an inspiration but he and my mum saw the "Dylan goes electric" tour at the Albert Hall. They walked out, I believe. My father credits Bob with being one of the very few people (Brian Wilson another) who made him quit advertising and decide to write pop songs for a living. And while I always got the Brian Wilson thing, will there be a similar mass outpouring of media coverage when Brian turns 70 next year? And it's not as if Brian doesn't also have a back catalogue that changed the face of popular music or, come to that, just as varied a back catalogue of drug abuse. Needless to say I don't own a single Dylan CD and do not feel as though my life is culturally impoverished because of that. However, if I was told I had to own one, it would be Blood on the Tracks. I was only 11 when it came out in 1975, but ? probably due to exposure; my dad played it constantly ? it was the closest I ever came to getting Bob.

Amy Raphael, writer and biographer

You start by saying that you really hate Dylan's voice and yet, by the end, you are naming an album you like. Can I tentatively suggest that you don't dislike him as much as you say? Perhaps you have been verbally bullied by too many male musos who have expected you to be encylopaedic in your knowledge of Bob and who are myopic when it comes to criticism. He's not like a difficult novel that you have to pretend to enjoy, and I personally don't think it makes you a musical leper if you don't get him. It's just a shame because I think you're missing out.

You say you really hate his voice. I love it. David Bowie sang of Dylan having a voice "like sand and glue"; for me it can also be passionate, languorous and sexy as hell. I still get chills listening to "Lay, Lady, Lay" and "I Threw It All Away".

You grew up with a Dylan-obsessive for a dad; so did I. For me it was a good thing. My first proper gig was Bob Dylan at Earls Court in 1978 or 1979 ? I concede that a male fan would never be so vague ? and even though he had bafflingly converted to Christianity and looked rather grizzly, I was smitten. I embrace the idea of celebrating each Dylan decade, if only because there's a chance a new generation will be introduced to his work each time. And you can always turn off Radio 4 if their blanket coverage is driving you nuts. PS: I love Morrissey too!

KF Interesting. You may be right about the "bullying male musos"! Also in my case, if not yours, when my hormones kicked in I was predisposed to reject anything that had been parentally endorsed. There were a few exceptions ? Stevie Wonder's Songs in the Key of Life remains my Desert Island long-player and I have a fondness for Elton John's Captain Fantastic, for example ? but King Bob didn't make the cut. Tough to be a rebellious teen when your parents have good taste (I wasn't kicking against Des O'Connor, after all). However, punk was anathema to my parents, so... for a teenager from the burbs it was Berlin-era Bowie and the Clash who "spoke" to me, while Bob Zimmerman was just an old fossil from Over There. As far as I was concerned "Blowin' in the Wind" was so much musical tumbleweed.

AR I was 10 in 1977 so just missed out on punk. I wasn't remotely cool when it came to music; an early record was David Soul's sappy "Don't Give Up on Us" and I worshipped Abba. I don't think music should be about cool, but what you actually like, not what you think you should like. There is certainly too much snobbery about Dylan. Music should be about visceral pleasure not about showing off. I would no more want to spend an evening with a Dylan obsessive than you would. The press love Dylan because he remains pretty much a mystery even after all these years and they can speculate endlessly about his literary lyrics.

KF I'm starting to think that maybe it's the blokey Cult of Bob I've been kicking against, rather than Bob himself. I'm with you, too, on notions of cool. Other than for about 10 minutes when I was 15, I don't think I ever really cared about ? or had a handle on ? musical cool. I just like good music, by anybody. But I also don't have the kind of encyclopaedic and slightly autistic-spectrum knowledge of any artist ? much less Dylan ? that seems to particularly (and particularly infuriatingly) distinguish the Bob-fans from the also-fans. Now, though, maybe it's time for a grown-up personal reappraisal. It'll be tough getting past not loving his voice but maybe I'll download Blood on the Tracks and take it from there.

AR Perhaps listen to 1969's Nashville Skyline too ? where you'll find "Lay, Lady, Lay" and "I Threw It All Away" ? as a kind of gentle reintroduction. It's romantic and domestic and a departure from his usual vocal style. I don't suppose Dylan ever set out to make music for men, it's just that some men have ended up taking him very seriously. As have some women.

So let's forget any kind of gender divide, let's forget about competing or being completist and let's just celebrate Dylan for the legend he is. My six-year-old daughter, who goes to sleep every single night listening to "The Times They Are a-Changin'" on her iPod, puts it quite well: "He's just not like other pop stars."


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds

Source: http://www.guardian.co.uk/commentisfree/2011/may/29/bob-dylan-70-birthday-coverage

Family finances Lisa Allardice Dance music Motherwell Newspapers Manchester City

Sebastian Vettel pulls streets ahead after safety-first win in Monaco

? German claims fifth win in six races ahead of Alonso
? Button denied final challenge as Petrov is taken to hospital

The Monaco Grand Prix is traditionally the one with more blue blood than red. It is held at a venue renowned for its extravagance but the racing is normally anything but excessive and sometimes a bit of a yawn, however challenging it is for the drivers.

The average speed, of under 90mph, is less than some people are prepared to use on the motorways. Overtaking, by common consent, is a rare and beautiful thing and even incidents are few in this procession, this multi-coloured train.

There are exceptions, such as in 1982, when rain struck with three laps to go with devastating results; and on Sunday we had another. There were crashes, safety cars, drive-through penalties and even ? wait for it ? cars actually passing each other. One driver, Vitaly Petrov, went to hospital, joining Sergio P�rez, who had crashed in qualifying the previous day, though the Russian was not seriously hurt.

The only thing that could be described as usual was that Sebastian Vettel won in the Red Bull, for the fifth time in six races, to pull out a lead of 58 points which already looks unassailable. It was his first win through these famous streets.

Monaco, the old Dowager of Vroom, was always likely to look down her patrician nose at Formula One's latest innovations ? DRS, Kers and Pirelli's magically disappearing tyres, none of which had a profound effect on this race.

However, she lifted her skirts as if to join all the boat people, the champagne-guzzling yacht dwellers, who were revelling under one of the C�te d'Azur's postcard skies, and gave us some more traditional racing thrills.

The race should have been even better than it was. With 20 laps to go it appeared to be heading for a thrilling climax. Vettel was leading but on tyres so hoary they were about to "fall off a cliff", according to rival teams. Fernando Alonso, one of the most feared sights in any racer's rear-view, had hunted him down in the Ferrari and was about to move in for the kill. McLaren's Jenson Button, on relatively new rubber, was gaining fast on both cars.

Then the three world champions hit traffic or rather traffic hit them. Adrian Sutil struck a barrier emerging from Tabac and suffered a puncture and struggled to control his Force India car. Jaime Alguersuari also crashed into the back of Lewis Hamilton and Petrov, attempting to avoid the mayhem, put his car into the wall like a Stuka dive-bomber.

The flags came out and the safety car emerged for the second time in the afternoon. Only half a dozen laps remained after the track had finally been cleared.

This amounted to a sprint but not an exciting one for Vettel was allowed to change his hoary rubber and went on to win with some comfort. His eventual winning margin was 1.1 seconds, ahead of Alonso, who was a similar time clear of Button.

Red Bull, in general, and Vettel, in particular, are hardly in need of good fortune but this was their second fat slice of it in two days. On Saturday Vettel's pole position had been assisted by Perez's late crash in qualifying.

Button, looking for his first win since April last year, had even more reason to grieve over the appearance of the first safety car, midway through the race, when he was not only winning but doing so with some style. Ironically this followed an incident between his team-mate Lewis Hamilton and Felipe Massa.

Red Bull are the slickest tyre-changers in the business but on Sunday they botched pit-stops involving both Vettel and Mark Webber, so their ultimate triumph was all the more fortunate.

There is nothing fortunate about the fact that they lead the constructors' championship by 61 points, however. McLaren showed some real pace this weekend, and Alonso displayed flashes of the great champion he undoubtedly is. But Vettel is surely now only weeks away from having his second title wrapped up.

"Winning here is easy," Sir Jackie Stewart had said over brunch in the morning; and as he won the thing three times perhaps he should know. It was a delightful part of the build-up to this sporting occasion-cum-fashion parade, in which Stewart regaled his audience with memories of visiting David Niven in his pink palace, just along the coast in Beaulieu-sur-Mer, not to mention recollections of Grace Kelly, Cary Grant and Muhammad Ali.

But this was not easy for Vettel. The only pity was that second safety car ? not only for Alonso and Button, as well as the crowd, but for Vettel too in a way.

For if he had been able to hold off the other two, with his rubber fast melting beneath him, it would have gone down as one of the greatest of this remarkable driver's 14 victories.


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/sport/2011/may/29/sebastian-vettel-monaco-grand-prix

Qatar Entertainment Asia Simon Barker Arsenal Blackburn Rovers

Owen Farrell shines for Saracens and targets fly-half spot for England

The 19-year-old who shone in the Premiership final will face renewed competition for his club's fly-half shirt next season

If there is many a slip 'twixt cup and lip, Owen Farrell, at 19 the youngest player on the field, applied a firm grip to ensure that Saracens lifted the Premiership trophy for the first time. He outplayed his opposite number, England's fly-half, Toby Flood.

"Owen was very, very good," said the Leicester scrum-half, Ben Youngs, Flood's partner for club and country. "He looked very relaxed and I think he was the calmest guy on the pitch. He has had a great season and I am sure that in the next couple of years you will see him in a Test match."

Farrell, who made his senior debut at 17, against the Scarlets in 2008, was not expected to feature much this season and was also registered to play for Bedford in the Championship. He did not make his first appearance in the Premiership until 21 November, having been rationed to outings in the LV Cup and a friendly against the United States. Alex Goode and Derick Hougaard contested the No10 jersey.

Saracens did not need a fly-half on the bench because when Hougaard started there Goode offered cover from full-back. But when Hougaard ruptured an achilles tendon during a Heineken Cup defeat by Leinster at Wembley in the middle of October, it ended the South African's season and gave Farrell his chance.

Even then, Saracens signed Gavin Henson to provide cover at fly-half and inside-centre. The Wales international did not make his debut until Boxing Day, because of television commitments, and by then Farrell had established himself. With Brad Barritt immovable at No12, Henson found himself on the bench. He quickly moved on.

Up to 7 November, when they played Northampton in the LV Cup, Saracens had used Goode, Hougaard and Nils Mordt at fly-half. Since then, the jersey has been worn by Farrell in 24 of 25 matches, the exception being an LV Cup win over the Scarlets in which he played in the centre. On Saturday, he showed neither nerves nor fatigue.

"It is a dream come true," said Farrell, whose father, Andy, is one of the coaches at Saracens. "I was at school a year ago and watched the 2010 final on television. A lot of hard work has gone into earning the right to put the shirt on my back, but I am thankful for my chance and very grateful for the coaching staff putting a lot of trust in me. I have always been a person with big aspirations and I have always been confident I could take my opportunity, but you never know until you are out there. This year I have surprised myself as well as much as other people."

Saracens have signed the Sale and England fly-half Charlie Hodgson for next season, and with Hougaard having signed a new contract there will be a three-way battle for the No10 shirt. Goode has settled at full-back.

"I hope to learn a lot from Charlie, but I want to play enough games to carry on learning and improving," Farrell said. "Walking out in front of 80,000 spectators was unbelievable. I don't think I have ever been more excited before a game. I made sure I took in the occasion, but once the game started your focus was on the job in hand. If you do not concentrate for 80 minutes, you get caught out."

Farrell kicked six goals out of six for 17 points. Sarries had won 11 consecutive league matches since losing at Sale at the beginning of the year. In that match they scored 22 points in the same manner as Saturday: a James Short try augmented by a conversion and five penalties from Farrell. Flood missed two second-half penalties which meant Leicester had to go for a try rather than a kick in a frantic finale.

The Tigers' hold on the trophy was finally loosened by a crunching tackle on Flood by his opposite number. "It was not personal," Farrell said. "You do anything you can for your team. I have worked hard on my defence this year and I like hitting people. I played inside-centre all last season and defence has been a focus of mine this season. I have still got a lot to learn and this is only the start for me, but I would love to get an England jersey on my back one day."


guardian.co.uk © Guardian News & Media Limited 2011 | Use of this content is subject to our Terms & Conditions | More Feeds


Source: http://www.guardian.co.uk/sport/2011/may/30/owen-farrell-saracens-fly-half-england

Strictly Come Dancing Peter Crouch Craig Bellamy JS Bach Climate change Gender